FERRANTE IN THE CELLAR: A Vulgar Appreciation

I suppose one feels emotional, reaching the end of a life. But also I feel an unfortunate bitterness—not for coming to the end of the books, but for potentially coming to the end of an even greater alchemy: Elena Ferrante. Her entity perhaps extinguished prematurely by some aggressive practitioner of bits and bobs and bylines—an Italian journalist. I won’t sift through his trash (or his real estate or financial records) here.
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Canadian Vacation

Her pleasant face fixed in a rictus of vindictive triumph. She yelled, “We got one!” and high-fived her male associate. Machito had all but confessed to working on a tourist visa. I seized with panic as the customs agent reviewing my documents waved me through. I watched, horrified, as Machito was shuttled off to an interrogation room. Machito glared back at me with a wounded look. He looked so small next to their wide bodies, like they could crush him with one coordinated turn. “Sir! You can’t linger here. Move it along,” the customs agent barked. I made my way through the area, then doubled back to find an immigration official.
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On The Rocks

I stood up. I threw out the take-out boxes that had piled up in my condo like little, grease-stained bodies killed by the Black Death. No more dawdling. I was hurting, sure. But as I jammed the boxes down the garbage chute, I realized I wasn’t hurting as deeply as I should have been, and therein lay the problem: that I didn’t hurt as deeply as I should have proved Zoe right: I was “irredeemably frigid.” But did I want her to be right? No. I wanted her to be wrong. But for her to be wrong, I needed to hurt more. And I didn’t want to hurt more—I wanted to hurt less. I needed to hurt less. I needed to hurt less so that I could do important things, like sweep my bedroom floor, draft titles for the cosmic baby mush tube (“Big Bang Baby”?), and find a new roommate. Read more →