Sound design in film is often overlooked. In part, this is because good sound design doesn’t announce itself the way a flashy visual sequence might–in fact, when it’s done right, we barely notice the sound at all. It can quietly manipulate while we attribute all the heavy-lifting to the visuals: “I saw a great film last night.”
In the beginning my desire to write was about me. It was about trying to see who I could be, what I might be good at and where I might find a community to belong to. Now, being a writer, being a parent and being a professor are all part of participating fully in the culture that sustains me. I feel that there is no better way to demonstrate how varied and valuable I think Canadian culture is than to devote my life to producing, promoting and teaching CanLit.
We will be launching Issue 22 of carte blanche and celebrating our 10th anniversary at Drawn & Quarterly on Wednesday, October 29th from 7 – 9 pm. Join us for wine, cake, and readings by Mark Paterson, Gillian Sze, Duggan Cayer, Sarah Mangle, Martyn Bryant, Larissa Andrusyshyn, Elaine Kalman Naves, and Ohara Hale.
We’re doing it again! carte blanche and the Creative Nonfiction Collective Society (CNFC) have teamed up to bring you a Canada-wide creative nonfiction contest sponsored by the University of King’s College.The winner will receive $750 and her/his text will be published in carte blanche. The winner will be announced in April 2015 at the CNFC 11th Annual Conference in Victoria, B.C.
Winnie the Pooh is not just a cuddly bear. He’s a poet, and if you don’t know his oeuvre, you should take a rejuvenation session with your A. A. Milne collection. In Winnie the Pooh and The House at Pooh Corner, the pudgy plushie pours forth the poems, the songs, and, when words fail him (being a Bear of Very Little Brain), the hums. But not only are there poems: there is a philosophy of poetry.
Deadline extended to September 30th!
We’re looking for stories on the theme of My Big Mistake. Tell us about the screw-ups, snafus, and blunders that changed your life: the boyfriend you broke up with who was really “the One,” the friendship test you got completely wrong, or the time you misplaced the decimal point with catastrophic consequences.
I have always felt a deep kinship with Ferdinand. Not only because my mother was born and raised in Madrid, but also because, if I dare say, I’m the kind of introspective guy who prefers to sit quietly and smell the flowers instead of running around and butting heads with others. Ferdinand embodies pacifism and unembarrassed self-acceptance. If I weren’t so busy taming my own wild wee broncos, I could pore over the book’s striking black and white illustrations for hours.
Memory is one of the most powerful tools any artist or creative person has in her arsenal. As in physics, so in literature: one cannot create something from nothing. Creativity is the combining of bits and pieces of memory in a unique way. The way you’ve made that character walk is because, whether you consciously remember it or not, you once saw somebody or something move that way.