“It’s Dangerous to Get Caught up in Anything Besides the Work”: an Interview with Matthew Forsythe


Matthew Forsythe has worked as an animator, a children’s book illustrator, and a graphic novelist. He has two books coming out in the near future. The Gold Leaf (Enchanted Lion Books) with Kirsten Hall is out on May 26th. The Bad Mood & The Stick (Little Brown) with Lemony Snicket will be in stores this fall.

Brad de Roo caught up by phone with Matthew just as he arrived in his hometown of Port Colborne for a library talk. They chatted about teaching, comics, visual culture, narrative structure, work, and the improbability of artistic satisfaction.

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“To Write, or Not to Write, about the People You Know?”

Deborah M. Ostrovsky

Last summer I pitched a small essay to carte blanche because I wanted to write about an out-of-print novel that I had discovered several years before. The author has long since passed away, and the book itself has been all but forgotten: with the exception, perhaps, of a handful of people, most of whom are outside of the literary community and who were interested in the life of the writer, who was a scientist. The novel received lukewarm reviews following its publication in the 1960s. After a small print run, it seems to have disappeared altogether, besides a handful of copies from online used bookstores, and one I found in a book saleroom tucked behind a torn Atlas and a Baby-Sitters Club boxed set.

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Among the Fugitives: An Interview with Stephen Henighan


Stephen Henighan is a novelist, short-story writer, journalist, and professor of Hispanic Studies at the University of Guelph. Most recently, he was written the novels The Path of the Jaguar (Thistledown Press, 2016) and Mr. Singh Among the Fugitives (Linda Leith Publishing), which is available on March 25. Brad de Roo chatted with Stephen about multiculturalism, literary nepotism, satire, Victorianism, performativity, and cultural appropriation.

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carte blanche is looking for a new editor


carte blanche, founded in 2004, is the official online magazine of the Quebec Writers’ Federation. We are celebrating over 12 years of promoting poetry, creative nonfiction, comics, translation, photography, fiction, and literary commentary from Quebec, Canada, and around the world.

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Why I loved editing a small Canadian online magazine, and why I’m leaving


I am shortly going to be leaving the team in my official capacity as editor. I do so with mixed feelings. Once upon a time, I honestly felt I could tackle any amount of work that was thrown at me. The days seemed elastic. I could stretch them at either end, conjuring up just enough minutes or hours to always get things done. But I don’t feel that way anymore. I am trying to figure out how big each relative part of me is, and how to accommodate them all within a finite body.

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An Interview with Tom Smart about Palookaville and the World of Graphic Novelist Seth

palookaville better image

“One of the reasons I find Seth and his contemporaries’ works so interesting is because it and they ask the reader to use a very different rubric when they are experiencing – reading – the art. For me, the critical debates in the visual arts seemed to dead end when the voices of anti-skilling, self-reference demanded that analysis always trumped emotion and humanity when confronting a work of art to determine significance. For me, there was always a whiff of intolerance toward visual art that explored humanity as a wide-spectrum project.”

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Reading and writing: just a means of escape from the anxiety-inducing present?


The first job I ever had in the Montreal region was at a company called Bath Fitter, aka Bain Magique, up beyond Laval in a town called Saint Eustache. As I listened to the explanation of the pension benefits that I was entitled to, a repeat of conversations I’d had with prior employers in Edmonton, it dawned on me: I’ve never cared about this conversation, I still don’t care, and I actually feel it’s OK to not care, because I have very little faith that, by the time my retirement rolls around, the world that we know – mortgages, insurance plans, “financial security” etc. – will exist.

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Lesley Trites, Larissa Andrusyshyn and André Simoneau are the finalists for the 2016 3Macs carte blanche Prize


We’re delighted to share with you the names of the three finalists of the 2016 3Macs carte blanche Prize, as selected by juror, Nick Mount, who is the author of When Canadian Literature Moved to New York and is a professor of English at the University of Toronto. The big winner will be announced at the Quebec Writers’ Federation Gala on November 22 and will lay their hands on a cash prize and a most amazing trophy–originally handcrafted by Glen LeMesurier.

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Coming Up in carte blanche Issue 28 Troubadours: Heather O’Neill and Madeleine Thien


As part of our upcoming Issue 28, we are thrilled to present a commissioned interview between two of Canada’s best-loved writers of their generation, Madeleine Thien and Heather O’Neill. In this brief excerpt, Thien and O’Neill talk about their hometown, Montreal, O’Neill as a native and Thien as an adopted daughter of the city. Stay tuned to Issue 28 (which goes live on November 7) for the entire conversation.

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