This is important in part because it means the benefit to the individual artist and her family will outweigh the relative cost to general tax revenue. It also means that all of her money goes right back into businesses in the local community, since she clearly isn’t making enough money to save or travel. Also, with the security the exemption provides, a highly-skilled artist can devote more of her time to her high-value work, doing more good to the Canadian economy than she would wasting her time at a low-skilled job in order to make ends meet.

But film hasn’t given up. Instead, in peculiar ways, film has worked its way back into the network of billions of images that we share on a daily basis. And what is more curious is this: a large number of digital photographers have rejected the hyper-real pretensions of the early medium in favour of filters and effects that mimic the aberrations and limits of film photography.

Twitter is also a fiction publishing phenomenon. While not as popular as keitai shosetsu (literally, cellphone novel) in Japan, it is increasingly being taken on by serious writers, serious wannabe writers, and seriously get-on-the-bandwagon publishers.