Poetry

Yes


for Monica and Matthew

Do you avoid holding still for photographs?

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Every body is an expert.

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Art must help life improve,
not lift it up to be admired

by whoever has the culture and time
to do the admiring.

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Will you start celebrating
May Day with the rest of us?

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Revise all thought
(yes, even the revisions
and, yes, even this stricture).

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Frames get dusty;
books are musty;
when a player turns
the pages of a score
there’s this crusty sound.

Living drama occurs
offstage, offscreen, unscripted,
a stormy performance

yes 2

by crowds swirling up streets,
any artist who’s gutsy and trusty
playing a gusty part.

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Is confiscation just?

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Each individual mind
is the collective work
of countless brains.

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Nurture the emergent.

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Expect from children
the betrayal of indifference.

Count on the opprobrium
of any new regime.

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Whatever else, depend on people
to nudge the language along:

there’s a mumbling forward in how the yes
that once affirmed agreement

has become muddled with the yes
needed to reach a compromise

or the conciliatory yes
that acknowledges needed adjustments

or the noncommittal yes
that fails to mask dwindling interest

yes 3

or the excited yes
that expresses passing bliss,

even the last of these yeses,/em>
lacking the force of the yes

that asserts positive dissent.

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Do you understand you’ll waste much of your life
listening to the self-reliant lying to themselves?

William Aarnes has two collections of poems—Learning to Dance (1991) and Predicaments (2001)—both published by Ninety-Six Press. Recent poems have appeared in Poetry Quarterly and Red River Review.