Sound design in film is often overlooked. In part, this is because good sound design doesn’t announce itself the way a flashy visual sequence might–in fact, when it’s done right, we barely notice the sound at all. It can quietly manipulate while we attribute all the heavy-lifting to the visuals: “I saw a great film last night.”
In the beginning my desire to write was about me. It was about trying to see who I could be, what I might be good at and where I might find a community to belong to. Now, being a writer, being a parent and being a professor are all part of participating fully in the culture that sustains me. I feel that there is no better way to demonstrate how varied and valuable I think Canadian culture is than to devote my life to producing, promoting and teaching CanLit.
We will be launching Issue 22 of carte blanche and celebrating our 10th anniversary at Drawn & Quarterly on Wednesday, October 29th from 7 – 9 pm. Join us for wine, cake, and readings by Mark Paterson, Gillian Sze, Duggan Cayer, Sarah Mangle, Martyn Bryant, Larissa Andrusyshyn, Elaine Kalman Naves, and Ohara Hale.
We’re doing it again! carte blanche and the Creative Nonfiction Collective Society (CNFC) have teamed up to bring you a Canada-wide creative nonfiction contest sponsored by the University of King’s College.The winner will receive $750 and her/his text will be published in carte blanche. The winner will be announced in April 2015 at the CNFC 11th Annual Conference in Victoria, B.C.
Deadline extended to September 30th!
We’re looking for stories on the theme of My Big Mistake. Tell us about the screw-ups, snafus, and blunders that changed your life: the boyfriend you broke up with who was really “the One,” the friendship test you got completely wrong, or the time you misplaced the decimal point with catastrophic consequences.