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  • Capture d’écran 2020-09-23 225343

  • Le tendon et l'os

à la carte blog

New Blog Editor/Communications Manager: Erin Lindsay

Erin Lindsay

“We are thrilled to introduce our new Blog Editor/Communication Manager, Erin Lindsay!”

There’s more than one way to tell a story.

I responded immediately to carte blanche’s philosophy.

I see this statement as an invitation for hybridity and experimentation. I see this statement as one that is inclusive and open. In this statement, I see the call for a vibrant literary and arts ecology- a community enriched by a diversity of forms, genres, and perspectives. I deeply understand this call. I want to be a part of this vision.

QWF Writes: “Hi, I’m ______ ”: Choosing My Author Name

K.B. Thors

“What do we call you?” is a question I’ve gotten used to hearing, especially in the writing world. I write now as K.B. Thors, but up until the end of 2017 I was publishing poetry, translations, and essays under the name K.T. Billey. My legal name is Kara Billey Thordarson. If I meet you, I’ll introduce myself as Kara.

That might seem all over the place, but the evolution of my nom de plume mirrors the development not just of my writing but of my self. I’d encourage any writer to experiment with their own creative license, no matter what a brand expert might say.

PROTECT, REACT, RESIST

Resisting Canada

In November of 2019 I spoke to Nyla Matuk about colonialism, activism, and resistance poetry for the Fall issue of the Montreal Review of Books. Matuk’s book, Resisting Canada, was just about to come out from Véhicule Press, and I for one was excited to see such a revolutionary book in the Canadian literary milieu.

The book is beautiful and searing, an anthology of voices championing defiance against a settler state that silences and abuses its population while simultaneously praising itself for its image as a progressive and liberal melting pot.

There is never a bad time to honestly discuss Canada’s oppressive tactics and colonialist heritage. But right now, as the federal and provincial governments, RCMP, and Coastal GasLink/Transcanada flagrantly violate Wet’suwet’en, Canadian law, and international law, it feels particularly relevant. To quote Erica Violet Lee, the land defense currently being carried out is “an enactment of Indigenous law and an affirmation of Indigenous life.” As we witness Canada’s assault on Indigenous rights, we must take action.

Call for Applications: Publicist

Photo by Nick Morrison on Unsplash

Currently, carte blanche is seeking an enthusiastic member to join the Montreal-based editorial team:

Publicist — the publicist would be in charge of social media and promotion of magazine issues, blog posts, events, and more. Demonstrated strategies for Twitter, Instagram, and Facebook promotion required. The successful candidate will also support the Managing Editor with communication, and the organization and building of each of the annual three issues of carte blanche. Knowledge of WordPress, elementary coding, Photoshop, and Submittable is essential.

QWF Writes: Why You Should Apply for a Canada Council Grant Every Year until You Die

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It is a truth universally acknowledged, that a writer in possession of a good idea, must be in want of a grant. Last year I was on a Canada Council granting jury, and it not only enlightened me as to how the whole process works, it also renewed my faith in the Canada Council in general, and in the granting process in particular.

Over the years some of my writer friends had gotten the distinct impression that the Canada Council was this edifice of insiders. Those who got grants kept getting them, and those on the juries awarded grants to their writer friends. And this bitter conviction stopped many of them from applying. “I’m not going to win anyway, so why try?” It doesn’t help that by default, a writer’s life is an incessant litany of rejection.

But after having been on the jury, I’m now convinced we all should apply annually.

Call for Applications: Photography Editor!

Photo by Andrew Neel on Unsplash

Photography Editor – the editor works both independently and in collaboration with the editorial team to help steer the magazine forward. The successful candidate would lead the photography section of carte blanche for three issues per year (winter, spring/summer and fall). Their responsibilities would include evaluating all photography submissions received, organize submissions, and respond to photographers through Submittable. The candidate should have at least basic image editing skills, be familiar with contemporary fine art and photography, and have a good eye for narrative imagery. Read more →