carte blanche Q&A with Johanna Skibsrud

For me, it’s just a question of how to most fully and appropriately explore a particular observation or idea. Sometimes, for example, I’ll be working on a poem and find that it is actually the beginning of a story or even something that needs to get worked out with the help of outside sources, as with an academic paper. My approach in all cases is to follow the thread of an idea as best as I can according to the constraints of the form, all the while remaining, on the one hand, as open as possible to the connections and the diversions that necessarily arise, and, on the other, trying never to lose sight of the project’s inspiration or goal.